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11 The Gingham Apron

22nd February 2016 By Lyn Thomas 10 Comments

After a year of purely academic curriculum, we had to get down to the serious matter of how to become a woman or a man. There was some cursory sex education – a film ‘A sister for Susan’ – which seemed to miss out many of the salient points. We were never allowed to see ‘Growing Up’, even though it was made in Birmingham. The film included masturbation scenes and became a cause célèbre. Fully cognisant of the dangers of idle hands, our school distracted us with manual labour: woodwork and metalwork for the boys, and needlework and Home Economics for us girls. These practical subjects were the real key to our development into correctly gendered adults.

So we started with needlework and were introduced to the instruments of torture: Simplicity patterns that were never simple, sewing machines that were strangely recalcitrant one minute and zooming out of control the next, rulers, tracing paper, pins, needles. Our first task was to make an apron out of cotton gingham in the colour of the House we belonged to. Despite its socialist aspirations our Comprehensive could not resist the model of the Grammar or even Public School, and so every pupil belonged to one of four Houses: Severn whose colour was cheerful red and whose members excelled on the stage and sports field; Mersey, cool blue and basking in the glory of association with The Beatles and Cilla Black; Thames, sunny yellow, with all the splendours of Oxford and London beckoning; and last, in everything, my House, sad green Trent. While the other Houses held assemblies in the main building, where civilised Humanities subjects were taught, Trent’s base was the science block, also the location of the main school toilets. The Housemaster’s rallying cries, the quotations from Kipling, all fell on deaf ears, since our noses were assailed by the evil combination of rotten egg fumes from the Chemistry labs, the odours of the boys’ urinals, and the lingering stench of burning from the sanitary towel incinerators. I so fervently longed to be in Severn with my best friend Janet that sometimes I broke the rules and fled to the pure air and uplifting ambiance of the Severn assembly. But in needlework there was no escape, our teacher Mrs Wallimara had a list, so green gingham was my lot, and my badge of shame. The aprons were mostly machine stitched, with embroidered decoration on the pocket and bib. After several weeks of laborious hemming and decorative cross stitch, we emerged like checked butterflies, ready to be released into the kitchen.

The first few Home Economics classes were a lot less taxing than needlework. First of all there was quite a lot of drawing and copying – the diagram of the perfectly balanced meal, collages of fish and eggs and meat cut out of magazines, to illustrate protein. When finally we started cooking Mrs Wallimara seemed to have the measure of our capabilities: week 1 – tea and toast, week 2 – scrambled eggs on toast, week 3 – poached eggs. So far, so good, especially as we were allowed to eat the results. Then Mrs Wallimara tired of toast and leapt forward in the syllabus to the complexities of shortbread, fruit cobbler and Victoria sponge. We had to lug baskets of ingredients into school, along with our satchels and P.E. kit, and then lug the baked goods home again to our admiring or long-suffering families. Getting a basket full of fruit cobbler and your satchel upstairs on the school bus with the boys down below leering and jeering and trying to catch a glimpse of your knickers was no mean feat. Despite this, cookery had its – mostly sugary – satisfactions. Just as we were getting the hang of it, Mrs W. switched us back on to sewing. We were to make a simple, sleeveless summer blouse, and to this end Mrs W. took our measurements, commenting as she did so on our state of development. The more curvaceous girls received an approbatory smile, and sometimes a discussion of bra sizes, while the rest of us were condemned by a resounding ‘Not much here’ or ‘here’s a flat one’. The resulting garment was forever tainted with this humiliation, and soon consigned to the rag bag.

The apron, on the other hand, proved indestructible, and has accompanied me to every kitchen I have cooked in since. It has the status of a relic, as if the soul of the girl who made it has left its trace on the checked fabric, now thin with age, and another, deeper pattern lies under the cross-stitched initials, etched out in green and white sylko.

 

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10 The Tracksuit

22nd February 2016 By Lyn Thomas 4 Comments

When I first got my tracksuit I liked it so much that I wore it all the time at home. It was navy-blue, exactly like my Dad’s, and on Sunday mornings we went together to the Woodfield Club, to play table tennis. My Dad was a coach, and I was learning how to play. It was quite addictive, even though I was only moderately successful, and despite my perfectly formed Forehand Attack, lost most of my games. I played in the Woodfield Club Ladies Junior Team, which sounds a great deal grander than it was. It was at the Club that I had my first conversation with a boy, Bobby McDermott:

‘What’s your favourite subject?’

‘French. What’s yours?’

‘Maths’

‘Oh’.

That was as far as it went.

One day there was an argument in our house. My mother went upstairs, and my Dad took me out for a drive in the Ford Prefect. I was wearing the tracksuit, we drove around aimlessly, and it was a sunny and happy afternoon. When we got back the atmosphere in the house was tense, and it stayed like that for the next few days. I ran between my parents taking messages from one to the other. It was quite strenuous, so lucky that I was wearing the tracksuit. Then I decided I had to make the peace between them, and this got even more demanding and tricky. There were tears, and lots of running about, and eventually my Dad smiled and started to speak to my mother again. My tracksuit and the table tennis coaching had proved their worth.

 

9 School Uniform Two

15th February 2016 By Lyn Thomas 8 Comments

At eleven, again photographed in school uniform – now a navy tunic, red and white striped blouse, school tie – my eyes are downcast, and there is the faintest trace of a smile on my face. I have long hair, and a fringe, dark blond. I am holding a little white dog, clinging on to it for dear life. This time I have no illusions about going to a new school.

Because of my failure to shine at primary school, and their native suspicion of posh places, my parents had not put me down for the Girls’ High School. Instead they selected our town’s comprehensive school, one of the first in the country. I was put in form 1D. My mother assumed that the streaming was alphabetical, and that I was in the fourth class out of six, but in fact the school’s system was more subtle. Each year a secret word was chosen: in ours ‘dix ans’, reflecting the age of the school. So I was in the top stream, to my parents’ amazement. My ‘11 plus’ results had apparently surprised everyone. My mother thought I would not last long in the top class, and when I struggled with my first maths homework, she assumed it was the start of my descent to my rightful place.

But my teachers were idealists, who believed that education could bring about social equality. They seemed to think that like everyone else in 1D I could benefit from a grammar school style education, and because they believed that, I thrived. I began to learn French. The teacher, Miss Lewer, gave us all French names; mine was Lucille, who I imagined as a more confident, prettier version of myself. Miss Lewer said I had a good accent and asked if I had ever been to France. She was surprised when I replied in the negative. At the end of term there were exams. I had no idea how to prepare for them, but taking them taught me that you just had to learn stuff off by heart. Once I realised this I had more or less cracked it. My marks got better and better.

My success was still tinged with terror. My cousin Peter had died, when he was six, and I was nine. I grieved alone. In those days in my kind of family children did not go to funerals, and nobody talked to them about the loss. A few weeks before his death, on one of their visits to us, his mother recounted a new set of ailments that had befallen my poor cousin. Peter and I were playing in the vicinity and I heard every word. Perhaps he did too. I remember very distinctly thinking ‘it’s too much, he can’t get better now’. Perhaps when he died I thought I was in some way responsible, because I had given up on him. In the final instance I had given up, despite all those times when I had tried to distract him from his sufferings with fairy stories and games.

When Peter died I gave up ballet and begged to be allowed to stay at home on Saturday mornings. I dropped out of the Christmas show, giving up my role as one of the ponies pulling Cinderella’s coach. The other pony just had to do it on her own. Even though this was very awkward, no-one could persuade me to go back to rehearsals.

Then I became convinced that I was going to die too. I read a story in the Readers’ Digest magazine about a little girl dying of liver cancer. I was sure I had the same symptoms. At night I would run into my parents’ room, because my heart was beating too fast. My father would say wearily, ‘tell me when it stops!’ My mother took me to the doctor’s and told him I was ‘suffering with my nerves’. A light sleeping medication was prescribed to stop the night terrors. My parents got the little white dog for me, and took my picture in my new school uniform, as if the dog and my education might save me, and perhaps they did.

uniform

Regis School Uniform, 1964. The old coal bunker has been replaced by a ‘verandah’, ideal for drying washing….

 


8 The Blue ‘Twist Dress’

8th February 2016 By Lyn Thomas 3 Comments

The Blue ‘Twist Dress’

 My primary school career was not distinguished. My arithmetic report said ‘slow to grasp new ideas’ and I was even kept down a year at one point. The school finally gave in to the inevitable and let me re-join my contemporaries in the top class. I suppose they thought I would not be much trouble there, quietly not understanding much and lost in my own thoughts. The teacher, who looked a bit like Harold Wilson, liked to read to us in the afternoons. He always chose boys’ stories. ‘King Solomon’s Mines’ seared terrifying images into my mind of the heroes being trapped in the cave with only diamonds ‘to eat and drink their fill of’, and then on escaping, being so hungry they killed an animal and ate its liver, still warm.

The only lesson I enjoyed was painting, even though I just copied the work of a talented classmate, and throughout the autumn painted red and black leaves and mushrooms. While I painted I looked with longing at a beautiful blond boy who sat on the other side of the room, but there was not much chance he would notice me.

The only other thing I remember about this classroom is the music of the Beatles. Not that we listened to it there, but it swept across us, transforming us from 1950s schoolchildren into 1960s teenagers. Before the teacher arrived in the classroom in the mornings there was excited chatter about the latest song and which Beatle was your favourite. I did not own a record player so just had to listen on the radio, but it did not seem to matter.

At around this time, my mother finally gave in to my pleas and bought me a ‘twist dress’. It was blue, with the requisite low waist, straight bodice and full skirt. I danced in this dress in the parish hall at the back of the Church. The music was ‘Telstar’ by ‘The Tornadoes’. It was not obvious how to dance to this – not the Twist, obviously – so I just floated about allowing myself to be carried along by the song’s dreamy melody, and feeling completely happy in my new blue dress. For the first time in my life, I was in and of the moment.

 

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